Thursday, March 29, 2012

Why AMC is the new HBO

AMC: Stories Matter Here - And obviously so does quality programming. It is rare to see non-commercialized, well-scripted, poignant television on today's reality infested TV cesspool. With the high demands of profitable cable networks, AMC hits the mark for showcasing interesting dramas with depth and the ability to stay in for the long haul.

The strong history of the channel dates back to pre-1950's and rabbit ears (something Mad Men would be proud of). AMC's standpoint for premium programming exceeded the black and white noise of the time and displayed commercial-free (and color-free) classic movies. The channel grew in the 1990's to deliver cable-ready programs on an easily accessible cable platform. The move launched AMC into the cable universe which recognized a need to go beyond soap opera and saturday morning spots and create an audience that appreciates the reason classic films will always be classic: high quality, uninterrupted, amazing content that can stand on its own, both small and silver screens.

The latest season of Mad Men debuted last Sunday and the world tuned in to see Don Draper's predictable cycle of "women, work, drinking, women". The season premiere has seen passé reviews but the promise of the past keeps everyone tuning in. The genius behind AMC's creative block is the ability to develop character personality, create a scenery/backdrop that feels real to the eye, and generate an aspirational mood with irresistible drama.

The current line-up features award-winning (enough with the praise?) and personally enthralling dramas like "The Killing", "The Walking Dead", and "Breaking Bad". (See Full Line-Up below). With "The Killing" based on a Danish miniseries (Forbrydelsen) and "The Walking Dead" transformed from a graphic novel, AMC has the ability to adapt to an uninhibited television format where stories unfold in new mediums.

AMC does have competition on its hand. HBO operates with what seems like an unlimited budget where viewers pay to play, so to speak/watch. Programming like "Boardwalk Empire", "True Blood", and "Game of Thrones" along with a slew of documentary, new media miniseries, and unwavering sydicated rights to original shows make any cable channel look like a timid fish swimming in an unrealistic ocean.

Let's hope AMC has the gumption to stay strong and compete for affordable, yet high-quality, programming that feeds the souls of our melodramatic hearts and fulfills all that we hope to see on our very own small screens.

AMC Show Line-up:
Mad Men
Breaking Bad
The Killing
The Walking Dead
CSI Miami
Comic Book Men
Hell on Wheels
Talking Dead
The Prisoner
Broken Trail
Rubicon
The Trivial Pursuits of Arthur Banks

More info on AMC.com

Monday, January 24, 2011

When TV goes out the window...

It's funny to see what stays on your list of priorities once you get rid of cable and work takes up most of your media time. What's left? Looking the general day to day schedule of the working world--we get up, check our email/facebook, read our Kindle or listen to our iPods on the way to work, periodically check twitter/facebook during the day and unwind with some Hulu or Netflix and a little Facebook again to wrap up the day. How much DVR-ing and movie-going space is left?

Zero.

Our time is limited. It's precious. How do we make those media decisions that maximize an enjoyable experience while serving as a quality use of our time? We don't have time to see all the Oscar-nominated films or catch up on our e-readers best-sellers or listen to the the entire iTunes list of the top-downloaded. How do we pick and choose which medium to focus on when they're all vying for our attention.

Tonight, I found myself laying in bed watching Modern Family DVD simultaneously with a news clip from Twitter, video-chatting with friends, and texting other "friends". This can only last so long. Modern Family wasn't getting enough attention, my friends weren't either, its a vicious cycle of not-enough-times.

When so much technology is eating up our daily lives, shouldn't that trigger the opposite reaction? Should we back off from the time-sucking Ipads and the endless newsfeeds of social media to grasp the real life and quality media that we enjoy. Don't you enjoy a good newspaper crossword puzzle or that reality TV show marathon? Reading a magazine seems to go hand in hand with Facebook or a dvd--when did that happen?

The point of it all is that with such little time left in our days to implore media, we still have to be there for them and that means prioritizing when you watch the Kardashians new spinoff or reserve time to catch up on instant netflix. Your Kindle is waiting for some attention and you are the only one who can provide it. It's not skimming over a million portals just to touch them all in one sitting. Its about enjoying each medium for how it was created and the quality in which it was meant to be enjoyed without which life, as we know it, will cease to provide the entertainment we need to thrive.

Sunday, June 13, 2010

IPad Apocalypse

With such "historic" implementation of the latest, strangest piece of technology, Steve Jobs (aka God) has released the iPad. Just two months young, this little guy has already made quite an impact. Although a siting of the "Pad" is rare and far between

(almost like a celeb siting like Justin Bieber or Beyonce), it seems like there is some trouble brewing. After being constantly bombarded with the fear that the iPad will soon take over all forms of communication (newspapers, magazines, LIFE), it seems we have some constant technological collaboration to watch out for in the future. As Apple grows, more mediums of artforms, science and everything we can think of will slowly coexist on the same level taking away the concept of reading a hardcover classic or painting with chalk on the sidewalk. The iPad attempts to cover every spectrum of culture where the world is literally at our bleeding fingertips.

If it wasn't Apple, it would be someone else.

But ironically, Steve Jobs is calling the shots. The world is at a convergence and it's hard for me to say what will happen. We'll let Wired Magazine take care of that.

How the Tablet Will Change the World

Still, with all of its faults, its scary to think of one media conglomerate covering the way and exactly what we are reading. Is the future of electronic paper really ahead of us? Will Apple be able to out-do themselves or will there be some catastrophic Google takeover that ends in a bloody war of commerce, politics, and everyday life? We may never know.

Thursday, April 22, 2010

Hell-O Gleeeeee!!


Welcome back, Glee! We’ve missed you! With so much hype and anticipation leading up to the second part of the famed Glee Season 1, the lead-off episode “Hell-O” left us with a lot to sing about. Although the 45 second recap of the Part 1could have taken over an hour, the show did a lot to prepare the audience for the amazing Part 2.

They lead off with main characters Finn and Rachel together, a relationship Finn barely realizes he’s a part of. Nonetheless, they become the power couple of the Glee club while Quinn and Puck are forced to fight things out on the side. Mr. Shue thought this would be a new beginning but his disaster called life keeps following him around like a dark rain cloud. Sue and Emma are both eager to get to Will. Back from Boca, Sue intends on a Cheerios challenge to destroy Glee Club while Emma and Will plan their first date. When things don’t go so well in that department, Will and Emma find themselves going in different directions; Will embraces his single life while Emma tries to define hers.

All of this drama centers on the recent fame of the Glee Club finally winning sectionals in Part 1. They come back ready to rule the school but end up with more slushy facials than last season. Their new quest: Regionals and McKinley’s biggest competition: Vocal Adrenaline. After the not-so-sudden F-rachel breakup, naive Rachel falls head over heels with Adrenaline senior star, Jesse St. James (Spring Awakening’s Jonathon Groff), and a duet of Lionel Ritchie’s “Hello” seals the deal. In an attempt to regain a balanced rivalry, Will meets up with Adrenaline coach Shelby Corcoran (Wicked/Rent’s Idina Menzel) and informs them of the star-crossed lovers in their two groups. Shelby has an effect on Will and liberates him into bachelorhood. The Glee Club, however, is not so easily swept away giving Rachel an ultimatum to drop Jesse or be replaced.

The most hilarious scene, however, is still in plot-worthy question. Director Brad Falchuk is always throwing in hilarious side stories that may or may not show up as leading story lines. In this instance, Finn accepts a date from cheerleader Brittany and cheerleader Santana. Unaware that the two are acting under the Sue’s scheming, Finn sits twirling his spaghetti across from gossiping Brittany and Santana. After sending back their clean plates---Brittany claims there was a mouse in hers---, Santana and Brittany gossip about Glee Club and Finn and share interesting insights. (Brittany, “Did you know dolphins are just gay sharks?”)

Season 2 led off with a lot of expectation. Who would get together? Would the group succeed and win or fail as miserably as most of the group’s social lives? The promise of more music was definitely upheld in this first episode “Hell-O” but the incessant Hello theme was a little much. From the All American Rejects “Gives you Hell” to the Doors “Hello, I love you”, we definitely got the message.

Although amazing in writing and character design, the episode would never exceed our expectations because of the hype built up over the four-month break. The promise of guest stars and dance-offs and the secret plots lines left us all wondering what we would see in the first episode and made us a little disappointed when we didn’t get everything right away. Still, we have to give creators Ian Brennan, Brad Falchuk, and Ryan Murphy some credit. The potential for Part 2 is undeniable and we can’t wait to be blown away.

Wednesday, April 21, 2010

Love Sean Michael xoxo


What’s there to love about Love Sean Michael? He’s sweet, he’s suave, and he’s sweeping through Ithaca oh, so smooth.
Still young, Sean Stolar is the face of the pop/funk/electro cool that is Love Sean Michael. A heartbreaker from the tender age of six, Stolar has embraced his gift of a sweet, yet, suggestive serenade. He played piano and guitar from the get go and after dozens of bands, 17-year-old Stolar took over famed clubs like LA’s Viper Room, the Roxy, and CBGB. Following in the esteemed footsteps of his brother Julius of J and the Birds, Stolar paved his way through the NYC music scene.
Stolar traveled to Ithaca to attend Ithaca College and had to transition to the slower pace of upstate. You may recognize him from local groups such as Super Cola and White Hot.
Stolar sensed the need for change and set out to redefine the point of collaboration in the first place. Stolar hopes to resurrect the quality that’s been missing in the music industry.
“It’s important to produce something that I would want to hear,” Stolar says. “That’s why we’re doing what we’re doing.”
The answer---Love Sean Michael, an 8-ish group of studio musicians blending the ease of city rhythms with an ultra-plush sophisticated funk. Stolar is featured on guitar, keyboard and vocals. The latest single “So Romantic” has a soft techno edge and a hook to make anyone smile.
With a lot of original music, Sean says he can’t help but cover the music he appreciates most. If you thought you knew Michael Jackson, you haven’t heard him like Stolar. He idolizes the greats in R&B, soul, and funk and claims Prince as his greatest discovery or “the rapport of his thunder.”
Stolar has also been staying true to form and remains independent from large labels and producers. Along with Dave Weingarten and Dan Timmons, Stolar has taken control of the band’s direction and written, recorded, and produced all of their projects. Pending the finish of LSM’s latest EP, Stolar is in the works of a greater umbrella corporation to house all of their budding ideas and projects. Love Sean Michael LLC will include a record label, publishing company, production company, merchandising and a fashion label which will be finalized in the next coming weeks.
This week, however, is something special. After a European tour with LSM this past summer, Stolar has found a innate sense to recognize high quality sound. Straight from Berlin and Rome respectively, Stolar is bringing in Acid Washed and Dam Funk for a show of international proportions. The trio of groups will make their American debut together and perform this Friday April 23rd at 10:00 p.m. at Castaways. While Acid Washed is a Parisian duo fusing ‘90s house and disco beats, Dam Funk or the “Ambassador of Boogie Funk” brings a synthesized, deep bass vibe straight from Cali. The two, combined with Love Sean Michael, hope to create more of an atmosphere than a concert showing off a softer side of Castaways that may be just the sweet, suave, smooth sound we’ve been missing.
“We really wanted to see a real show that’s different and refreshing,” Stolar said. “You have to go with what you believe in and be creative. That way, the results will always be magical.”
Look for more from Love Sean Michael at myspace.com/loveseanmichael and loveseanmichael.com.

Wednesday, April 7, 2010

A Turn for Independent Media

We may see the glass half full but we're still a little hurt by the hopelash.

Hopelash: Like a backlash, hopelash is a 180-degree reversal of everything Obama-related. Sufferers were once Obama's most passionate evangelists. Now they are his angriest critics. Sample sentence: "At least with Bush everyone knew he was an asshole. Now we've got the same wars, the same lawless prisons, the same Washington corruption, but everyone is cheering like Stepford wives. It's time for a full-on hopelash."


There was a lot of clapping during Naomi Klein’s presentation last night. An energized audience was lucky enough to hear the renowned, independent media journalist and kept the speech as interactive as her “make-a-change” agenda.

Klein’s introduction was internationally prestigious. Her book, The Shock Doctrine, has been translated into 25 languages including Arabic and Hebrew. Although it is targeted and mainly addresses corporate America, the book has the power to reach an international audience and what’s even better: it applies to them. Not only do American efforts of “diplomacy” affect our little town of Ithaca, but more so, do they affect far-world countries and nations most people can’t even pick out on a map.

Klein referenced the capitalistic side of American and foreign outreach programs especially in the private sector. Large private corporations are currently capitalizing (no pun intended) on the situation in Haiti lurking around waiting for large projects that they could invest and profit from. Even though the impoverished country is indebted heavily (from a French slave debt from the 1800’s), the International Monetary Fund (IMF) loaded yet another giant loan that will most likely go unpaid. ---Klein noted that the IMF recently overturned the loan into a grant after protests and human rights groups and independent media organizations acted and noted this injustice.

Klein went on to speak of the importance of public versus the privatization of almost every sector of our economy: the military, education (higher education, health care, social security, etc.) She raised a very important question that relates to everyone around the world: Do we want to gamble our futures (i.e. social security for example) on the ups and downs of Wall Street? There is little trust in anything corporate because they mainstream the system to the basics and leave little room for personalization and special protections.

That’s where independent media comes in to really act as the needed 4th estate. The important thing I learned from the presentation is the power of independent media. To note from Klein’s introduction, the Park Center for Independent Media prides itself and their field on how they are able to lend a voice to those who need it. It seems the farther we get away from corporate mainstream, the truer and more accurate narrative will emerge (Isn’t that the point of journalism, we hope?). Klein empowered the people of Ithaca and has done so with the Shock Doctrine. She gave a realistic, yet still optimistic presentation that was supported with detailed research: no opinion, just the facts. It was hard to question what she was saying.

And so, with an Obama-like ease, Klein cut off her speech just in time for a standing ovation.


Please support the truth that comes with independent media! Where else will we get our information?

Sunday, March 28, 2010

A Revolution is at hand

Can a British accent and a few salads cure the binding trap of obesity in one U.S. town? In the first hour preview of “Jamie Oliver’s Food Revolution”, Brit’s renowned chef takes on Huntington, West Virginia gruesomely deemed the “unhealthiest city in America” based on the latest nationwide health statistics. With an Obama-like presence, Oliver sweeps into the quiet mountain town with optimism and naiveté only to be met by a loudmouth blockade of defeat.




From the beginning, Oliver should have understood the “Get Lost!” message clearly held by the Dawg aka local radio show host DJ Rod’s country morning show. "We don't want to sit around and eat lettuce all day. Who made you king?" Rod said to bright-eyed Oliver.

The welcome greeting only continues when Oliver heads over to Huntington Elementary in his main attempt to reform school cafeteria lunches. He meets the lovely lunch ladies (note to self: they don’t like to be called lunch ladies…) Oliver interrupts Paulie, Millie, Linda, Louella and feisty head cook, Alice, serving breakfast pizzas to 450 screaming kids.
While the idea of breakfast pizza may be atrociously foreign to Oliver, the ladies find things perfectly normal and go on with their day preparing frozen, processed delights and an unpleasantly familiar fluffy Potato Pearls concoction (mashed potatoes from a water-based goo substance).

Like a car wreck you can’t turn away from, Oliver watches in horror as most kids throw their lunches in the garbage, the only things missing are their adored chicken nuggets and BBQ sauces.

It all seems so simple but the politics of the school lunch program work out to be extremely confusing. Oliver meets with the head of the district’s school lunch program regulated by the USDA where french fries count as a vegetable and pizza contains two starches (crust and the rest of the pizza if that makes any sense). The strict rules and budge outlines make Jamie’s proposed food face-off impossible. His efforts to present fresh food on a budget versus the frozen food force behind Alice and her girls, makes the entire situation hopeless and just plain sad. During the testing day, the lunch ladies all laugh while Oliver scrambles to make more carbs out of thin air. Although cruel, these ladies will always make excellent villains we love to hate.

The heartwarming story comes when Oliver meets with the Edwards family, a group of three obese boys, one young girl on her way to her mother’s giant state and a small-ish deep fryer that causes all the problems. When Oliver enters the small home, he finds that the people and the food they consume is cramping up the space. In order to free up the clutter, Oliver and Mrs. Edwards cooks up and lays out the weekly diet for the family, which includes a fridge dedicated to frozen pizzas, giant hot dogs, and Mom’s best breakfast: deep-fried donuts dipped in chocolate, a daily requirement of course.
The family shares a tender moment at the ceremonial burial of the dearly loved deep fryer and they seem to put their refined taste buds on the backburner. Jamie helps 12-year-old, Justin, stir up his passion for culinary arts and break a healthy piece of bread with the family at the end of the day.

The earth shattering morning of the hour comes even before the lunch ladies awake. The local paper prints a front-page article inciting Oliver of bad mouthing the Americans, specifically the Huntington’s. "They are all anemic with information. Like, when you meet these people, they are not stupid. They are not ignorant. It's just they have never had food from scratch in their life." The slanted angle brings Oliver to tears and the lunch ladies fuming in their hairnets. He feels genuinely obligated to publicly apologize to the entire Huntington Elementary school staff and when most refuse to accept (the chip on Alice’s shoulder prohibiting), Oliver pushes on the best he can.

With the processed v. fresh food face-off on the brink, Oliver and Alice go head to head with a cafeteria full of fat first graders spitting out lettuce and yogurt at every possible chance. If you can imagine, the worst is yet to come as previews of giant waste buckets (what can only be the ingredients of their beloved chicken nuggets) and sad, stout people bawling fog up our TV screens.

Out of all the ABC sob reality shows, this one feels the most relevant, necessary, and even striking to our nation’s situation. While everyone needs a home (“Extreme Home Makeover”) and most families need discipline advice for their children (“Super Nanny”), it’s Oliver who triumphs as the critical hero this country could actually use.

With the hype of the show, Oliver hopes to get viewers to sign a nationwide petition against unhealthy eating habits mainly targeting schools. As CDC statistics state, if the obesity rate continues to rise over the next five years, 40% of Americans will be not only overweight, but life-threateningly obese. A scary thought but even scarier how frustrating the hour episode was to watch. When you see the cultural divide in certain areas across the country (especially from a New Yorker’s perspective), it’s hard to separate the sushi bars from the organic fruit markets. When in reality, the majority of Americans cling to their deep fryer and rely on processed food with the same faded brown color of pizza or wings washing out their plates night after night.
Will Oliver be able to get through to a dying community? With only so much time before an apocalypse, Huntington’s end may come a bit sooner and their preparation and prevention is now or never. A revolution is at hand.